I put in a request, and Sarah from Phantogram generously tracked down and sent me the lyrics to the songs on their EP. I currently have the first four tracks (below), and I’ll update with “Voices” once Sarah finds the file with the lyrics (it was on a different computer from the rest) and sends it my way.

As I’ve previously mentioned, the EP is a marvelous album available for purchase via (indirectly) Phantogram’s MySpace page. Definite S&T four thumbs up, and we can’t wait until they produce a full length.

Italicized items in brackets indicate supporting vocals.

Mouthful of Diamonds

wake up
you’re getting high on your own supply
oh baby
you’re still alive when you could have died [ohoo]
the world is not around because of you
you know i’m not around because of you

you’ve got a mouthful of diamonds
and a pocketful of secrets
i know you’re never telling anyone
because the patterns they control your mind
those patterns take away my time
hello
goodbye

wasted
you tell the truth when you could have lied
and troubles are on the rise cuz you’re in disguise [ohoo]
and if it isn’t me
then pack your bags and leave
i wish i could believe blue devils won’t take you back out to the salty sea

you’ve got a mouthful of diamonds
and a pocketful of secrets
i know you’re never telling anyone
because the patterns they control your mind
those patterns take away my time
hello goodbye

Running from the Cops

[new surroundings]

my dreams will never come true
and if they ever ever do
there’s never you
i want to implode
i want it to end
and all those old feelings are coming back again

[new surroundings]

my dreams
are haunting my soul
and when i’m driving down the road
i’m not in control
i want to let go
i want to shake hands
with the person that’s responsible for this master plan

i know i will
i know i can

[new surroundings]
[this is not in your mind]

my dreams
will never come true
and if they ever ever do
it’s never you

When I’m Small

[uh uh uh uh - uh uh uh uh]

lucy’s underground
she’s got a mouth to feed
am i underground
or am i in between
lucy’s underground
she’s got a mouse to feed
am i underground
or am i in too deep

show me love
you’ve got your hand on the button now
sure enough
you’ve got your hand on the button now

[uh uh uh uh - uh uh uh uh]

lucy’s underground
she’s never coming back
am i still alive
or has the light gone black
take me underground
take me all the way
bring me to the fire
throw me in the flames

so show me love
you’ve got your hands on the button now
sure enough
you’ve got your hand on the button now

i’d rather die
i’d rather die
than to be with you.

Bloody Palms

she’s tired alone
and i’m tired of love
someday i’m gonna miss you

blood on my palms
wide eyes and holes
someday i’ll pull my teeth out

i’ll see you later in the night time
where all the colors are dark or glowing
we don’t really get along
we get down
we get down
i’ll see you later in the moonlight
where all the colors are softly fading
we don’t really wanna die
we get down
we get down

blood on my palms
wide eyes and holes
someday i’ll pull my teeth out.

Somewhere between sleep and wakefulness there exists a universe of solid beats and breathy lyrics that seductively pulls you toward a deep and encompassing netherworld. No matter how hard you try you can never seem to quite reach that soothing, entrancing place, but there is hope my friends.

Phantogram.

Yes, Phantogram – fronted by the talented Josh Carter and Sarah Barthel, this wonder of electronica manages to capture and channel the sounds that linger on the fringes of consciousness and bring them to you on a shiny EP (available from their MySpace page) that you can keep forever and ever.

This is unabashedly a lot of gushing – and frankly, I apologize, but after listening to song after lackluster song one becomes a little underwhelmed with the vastness and generality of the music realm. Phantogram brings emotion to the table, and that is what lends them their power. Whether intended or not, each song in their (regrettably) small portfolio of five runs thick with hooks that tease thoughts and caress the whimsical side of the mind causing the brain to meander on creative rabbit trails into, over and around Wonderland.

Your individual experience may vary.

Sarah’s airy vocals, redolent of an alpine breeze (if I do say so myself), compliment Josh’s peculiar, almost island-quality singing making it seem more concrete than it otherwise would. Throw those into a jungle of soul-soothing bass accented by perfectly manicured boppy synths and you have the recipe for what is rapidly becoming one of my favorite albums of the year… And it’s only an EP!

Interestingly enough, each song has a different feel even though I believe the album uniformly broadcasts the same emotion.

(Note: Some of these songs may be listened to from the band’s MySpace page, but since the band doesn’t have any recordings up on last.fm (as of this writing) I haven’t even bothered to link them to that service yet.)

“Mouthful of Diamonds” is awash with perfectly executed pop overtones that Sarah highlights with a near-ballad in her customary ethereal tones. The random tweaking of the synths adds character and background to what could otherwise have been a relatively predictable song.

“Running from the Cops” relies heavily on its vocoder usage and powerful pulsing beat to bring about a feeling of darkness just as Sarah releases a surreal croon that transforms the scene into something truly otherworldly.

“When I’m Small” starts with a simple drum throbbing that breaks away into bass-heavy chords and Sarah’s slightly-more-palpable-than-usual lyrics before again letting out into a generic tonal pulse for a bit of the chorus. The well-executed simplicity of this song provides it an edge where so many others have failed.

And I still have two more songs to fawn over.

“Bloody Palms” is a slightly edgier more urban sound than the previous three songs, and it’s unique transitions between Las Angeles metro-station and Miami suburb I find particularly appealing. It also starts showing off the Caribbean twangs of Josh’s vocals.

“Voices” is such a great way to end the album. It brings you back to the comforting feel of “Mouthful of Diamonds” but lacks the topical sadness of the opener, and it further showcases Josh’s Caribbean intonation in a lyrical laminate with Sarah. The tame – generally calm nature of the music in this song is also a nice way to wind down before moving away and on to… different things.

What to take away…

Phantogram is a welcome addition to electronica bringing with it a variety of feels and sensations that help the listener travel just a little further into their imaginations. I heartily suggest putting on headphones, closing your eyes and letting your mind just wander with the music for 20 minutes.

Oh, and the $7.50 for the EP is well worth the cost. The PayPal checkout is a little sketchy, but I have ordered and my CD arrived a few days later so it is a legit enterprise. Why they aren’t yet available on iTunes is anybody’s guess…

What should you expect?

Sophisticated, living, breathing electronica. The mix of organic instrumentation and vocals with synth support is refreshing and quite satisfying… If not obsessively addicting.

What drink to pair with it?

It would be unfortunate, I think, to start this album off with anything but a slightly young pinot noir.

Favorite song?

I am head over heels in love with the way “Mouthful of Diamonds” was assembled and presented. Simply outstanding.